IN BLACK, A ROAR.

A THOUSAND FERRARI HORSES WAKE AND SCREAM.
A SLIT OF LIGHT WIDENS. SKY, GRASS, SHAPES MOVING FAST.
GLOVES ON CURVE OF WHEEL, SLICE OF
WINDSCREEN, RED BONNET SLOPES AWAY. MOVING TOWARD THE LIGHT, ENGINE BLIPPING,
VOICES COME TO US; A MELANGE OF CONFUSION.
THEN THEY ARE DROWNED IN THE ROAR.
WE ARE OUT AND FREE AND ACCELERATING AWAY.
SPEED
THE REVS, SHIFT. FOOT TO THE FLOOR, THROUGH
THE GEARS, TURNING IN TOWARD STREAMS OF COLORS WHIZZING THROUGH COUNTRYSIDE.
THE VOICES AGAIN,
GILLES
(V.O.)
Ignore them!
DOWNSHIFT THROUGH THE TURN. THEY ARE LOST
IN THE ROAR.
THEN OUT, FOUR-WHEEL DRIFT, WHEEL CRANKED,
THE BANK COMING UP.
GILLES
(V.O.)
Catch it, on the
edge.
THE CAR
KISSES THE EDGE. BLASTS AWAY. SPEED.
GILLES
(V.O.)
Faster, faster.
FERRARI
(V.O.)
In tune. As one;
The car an extention of will. Faster.
THE VOICES AGAIN.
HIS POV - ZOLDER AT 210 MILES PER HOUR
Other images, barely percieved, maybe only
memory...they whiz past...blinding us with emotion...
JODY
(V.O.)
The Doubts, put
them behind, Concentrate!
POV - THE TRACK - AT 200 MILES PER HOUR - THE SHRIEK
ROAR, RATTLING VIBRATION. COMING UP FAST, A
CAR, BLOCKING, SLIP INSIDE, DOWNSHIFT, THE CURVE, CUT INSIDE THE CORNER, THEN
OUT, AWAY, FASTER, FASTER. VOICES again, the images...
GASTON
(V.O.)
Responsibilities...
GILLES
(V.O.)
Damn them! Just let
me race!
JOANN
(V.O.)
The kids.
GILLES
(V.O.)
The kids are fine.
I love the kids...
Other
drivers...good times...
HUNT
(V.O.)
Friends...
GILLES
(V.O.)
I have no friends.
Just dead ones.

CRASHES
Flaming car parts, tumbling past. Dead
drivers...Ronnie Peterson, Cevert...Nikki Lauda's crash.
GILLES
(V.O.)
Dead ones.
JODY
(V.O.)
You can't race with
anger.
GILLES
(V.O.)
The woman!
COURTNEY - THE
WOMAN
AIR FRANCE - FIRST
CLASS
GILLES
(V.O.)
Formula One...
COURTNEY
(V.O.)
Oh? What are you, a
chemist?
A ROAR.
NIKKI
LAUDA (V.O.) (V.O.)
...the craziest
devil in Formula One.

THE ROAR EXPLODES INTO 200 DECIBEL
CACAPHONY!
SEEM TO BE IN A TUNNEL
It's the Monaco tunnel... a pinpoint of
light grows at 200 MILES PER HOUR into the bright, gleaming yacht harbor, with
Prince Ranier's palace glittering on the hill.
THE ENGINE ROAR IS NOW A CROWD
Hanging from the balconies, hanging from
the towers, the spires of exotic yachts...your name...they scream...VILLENEUVE!
VILLENEUVE! VILLENEUVE! VILLENEUVE!
NELSON
PIQUET (V.O.)
He's somewhat
crazy, but surely a phenomenon. He's does things nobody else can.
THE WALLS OF MARANELLO
Red banners stream down both sides of the
wall. The wall is made up of crowds of fanatical Tifosi...the impassioned
Ferrari fans. And banners:.. Gilles Forever!!!
JODY
(V.O.)
You're famous. A
legend. It comes with a cost.
PIRONI
(V.O.)
This one...Helga.
She likes you.
Gilles Villeneuve buttons, banners, models
of his number 27 car, helmet, books on his career.
JODY
(V.O.)
They're using you.
They're using your name.
ZOLDERS - THE
CHICANE
GILLES
(V.O.)
Courtney...Demands..
COURTNEY (V.O.)
I want nothing from
you. Just you.
GILLES
(V.O.)
Concentrate. Must
CONCENTRATE!
JODY
(V.O.)
You can't go out
there thinking of other things.
GILLES
(V.O.)
There is nothing
else. There is only winning and losing.
JODY
(V.O.)
Life is more than
winning points.
GILLES
(V.O.)
World Champion...
FERRARI
(V.O.)
The Team.
GILLES
(V.O.)
Fuck the team!
FERRARI
(V.O.)
...so fond of
Villeneuve... he's one of my family.
GILLES
(V.O.)
Commandatore... Why
did he abandon me?
PIRONI
GILLES
(V.O.)
Stole the Race!
JOANN
(V.O.)
I don't trust him!
NIGEL
(V.O.)
Do you feel
betrayed?
CLOSE ON GILLES
Trees streaming past in reflection on the
visor of his helmet. Then reflections of other races...Jarama, the dead
spectators, Imola...Monaco.
GILLES
(V.O.)
Betrayed, yes. Of
course! Maudit!
Concentrate! CONCENTRATE... The engine...
CLOSE ON - THE ENGINE - HIGH PITCHED
SCREAM...
ON GILLES
GILLES
(V.O.)
The tires...
CLOSE ON - THE TIRES
A WHINE at the edge of adhesion.
GILLES' POV - THE BIANCHIBOCHT -FAST LEFT
HAIRPIN TURN
DOWNSHIFT!
GILLES
(V.O.)
Fast left. Set up!
DOWNSHIFT! WHANG.WHANG.WHANG...downshift.
CHEEVER
(V.O.)
...was always
risking more than any other driver. That's how he made his career.
HIS POV - ON THE CORNER, COMING AROUND THE
TURN
A CAR.
BLOCKING!
GILLES
(V.O.)
Blocking. Move
it... move!
JODY
(V.O.)
always wanting to
prove himself, every lap. I never knew him to take it easy. It was always the maximum.
GILLES
(V.O.)
THE VOICES, DAMN
THEM. CONCENTRATE. CAR AHEAD. SHOOT LEFT!
THE WHITE CAR
SUDDENLY SLIDES LEFT.
GILLES
(V.O.)
NO!
KEKE
ROSBERG (V.O.)
...abnormally
brave. To race against, the hardest bastard I ever knew,
but absolutely fair. a giant of a driver.
He SWINGS IN. He's
BLOCKING.
GILLES
(V.O.)
COME ON! MOVE OVER!
LEFT, RIGHT, LEFT
RIGHT.
GILLES
THERE, RIGHT!
JUST ROOM ENOUGH.
GILLES
(V.O.)
SLIP RIGHT.
SHIFT ROAR.
JOANN
(V.O.)
"Maybe,"
I thought..."he's crazy..."
GILLES
(V.O.)
THE VOICES, DAMN
THEM! WHAT?!
THE FRONT CAR
DRIFTS OVER, GAP CLOSING,
GILLES
(V.O.)
BRAKE? NO, NEVER!
SWING RIGHT, CAR COMING UP FAST,
GILLES
(V.O.)
NO!
NO ROOM! PINCHED! REAR TIRE ZOOMING UP.
HIT.
GILLES
(V.O.)
Maudit!
UP. THEN SKY, ROLLING OVER.
THE WORLD SPINNING INTO THE PAST
GILLES
(V.O.)
...fantastique...bonne...
AT LAST. ALL THINGS BEHIND...
SOUNDS OF A SCREAMING CRASH... WHANG
THE SKY A FENCE. PARTS FLY BY...INTO WHITE
CLOUDS
SCREAMS SUBSIDE....A RUSHING, A FLUTTERING
OF WINGS.
THEN...
BLACKNESS
of
Destruction

By
BERTHIEVILLE, QUEBEC, 15 YEARS EARLIER
-1967
Aerial above a Pontiac roaring too fast,
radio blaring.
INT. PONTIAC GRAND AM
A young Gilles blasts down the highway,
singing to the music. He's in his element...speed. 108 miles
per hour, flat out. A curve, too soon, too
fast. The cars skids, spins, clips a pole and wraps around a second.
GILLES
Maudit! (MOOS-ZI!)
He staggers out and looks at the steaming
wreckage.
EXT. GILLES'S HOME
Police arrive at a very modest lower middle
class existance.
INT. PARLOR
Gilles' father JEAN, greets them grumpily.
POLICE
You own a Pontiac
Grand Prix?
JEAN
It was stolen!
POLICE
And wrecked it, I'm
afraid..
Shows him a picture of the car impaled on a
pole.
JEAN
My new car?!
He glances at Gilles. Gilles is
uncomfortable. Jean gets it.
JEAN
You will make a
report.
POLICE
We have.
JEAN
I will call the
insurance. Thank you. What else is there.
The cop looks at Gilles suspiciously, but
says nothing.
POLICE
Good day.
He ushers the police out.
GILLES
Father...
JEAN
Don't! I don't want
to know.
GILLES
I...smashed the
car.
His father looks stern. Gilles is shaken.
JEAN
Well, don't tell
anyone. They'll cancel the insurance.
GILLES
I'm sorry father.
JEAN
Do you know what
you did?
GILLES
I drifted too far
on the corner, I caught a lip.
His father is very
stern.
JEAN
You took the car
without permission.
GILLES
Yes.
JEAN
And you destroyed
it.
GILLES
Yes.
JEAN
You've learned your
lesson.
GILLES
Yes.
JEAN
Just don't do it
again.
He looks at Gilles.
Gilles says nothing.
EXT. COUNTRY ROADS - TRAVELING - FAST
An MGA duels with a Porsche on back roads.
Come around a turn.
GILLE'S POV
Cows block the roadway, both shoulders,
both ditches.
INT. MGA
Gilles cranks the wheel.
GILLES
Maudit!
EXT. ROAD
The MGA flips.
INT. MGA - GILLES
Upside down, wheels spinning, he's still
trying to steer it, to affect direction by throwing his weight around the
cockpit.
EXT. ROAD - THE MGA
UPSIDE DOWN, slides down the ditch, slams
into a bank and rocks, enveloped in steam.
INT. MGA
Gilles hangs from belts upside down.
GILLES
Maudit!
He bleeds.
EXT. RURAL QUEBEC - SMALL TOWN AT A
CROSSROADS - WEEKS LATER
A dog sleeps in the square. He wakes, ears
perk. He gets up, slinks off. Townsfolk notice, listen... A distant WHINE grows
into an approaching roar.
Villagers put down their papers, lean
forward in their rockers.
A kid working on a car puts down his tools,
moves to the street, wiping his hands on a rag.
Young girls stop playing jumprope,
listen...turn toward the
growing roar.
THEIR POV
A Skoda whips through, clears a hairpin on
two wheels and is gone in a cloud of dust.
KID
Gilles!
Townsfolk cheer.
OLD
MAN
Gilles encore!
YOUNG
GIRL
Bon chance Gilles!
The car is long gone...only settling dust
and the ECHOING roar of the motor fading...
An old biddie shakes her head. The young
folks cheer.
DISCO - JOLIETTE, A SMALL TOWN IN QUEBEC -
NIGHT
INT. DISCO
Joann, a small-town beauty talks to a
friend, Rose.
JOANN
I don't know, he's
very quiet. And he's too short.
She looks at Gilles.
ANGLE - GILLES
He's slight, boyish, nervous and out of
place. A boy speaks to Gilles, indicating Joann.
CHRISTIAN
I told you!
GILLES
She's very pretty.
But... I don't think she likes me.
CHRISTIAN
Sure she does. Look
how she's looking. Ask her to dance. Go on, what are you afraid of?
GILLES
(not so sure)
Nothing.
Christian pushes him into the room. He
moves slowly, awkwardly.
HIS POV - JOANN
Angelic, vulnerable, provincial. She smiles
encouragement.
JOANN
He looks like a
boy.
ROSE
Looks can be
deceiving.
JOANN
So can men.
ROSE
You're looking for
your father. You're primed.
JOANN
Primed? For what?
ROSE
The usual solution.
Marriage.
JOANN
Don't be
rediculous. Never!
She looks at
Gilles, critically.
NIGHT HIGHWAY - A FAST MUSTANG
INT. MUSTANG
Gilles drives like a maniac. Joann's
terrified. She sneaks a glance at Gilles. Behind the wheel, he's in control,
confident. She screams over the howling engine.
JOANN
So, what are you
interested in, besides cars...?
He looks over,
confused.
GILLES
Nothing.
A turn. He takes it at frightful speed. She
opens her eyes, looks at him. He looks ahead calmly.
EXT. STREET
Joann and Rose.
JOANN
It wasn't to
impress me. It's just the way he drives.
(stops, turns to her)
I
think...maybe...he's crazy.
EXT. JOANN'S HOUSE - NIGHT
He screeches up.
INT. MUSTANG
He sits quietly, engine idling, now shy
again.
JOANN
You're really good
at this...
GILLES
Yeah. I can drive
fast.
She kisses him, runs into the house.
QUEBEC ROAD - ANOTHER DAY
They pull up, he gets out, she follows.
JOANN
What is it?
GILLES
Get in the trunk.
She stands there for a beat, resistant.
GILLES
Quickly.
JOANN
Why?
GILLES
Don't you trust me?
She hesitates, then gets in. He kisses her,
slams the lid.
INT. TRUNK - BLACKNESS
Just a thin shaft of light. Then a
terrifying ROAR as he starts and GUNS the engine. She's terrified.
EXT. MUSTANG
he floors it, pops the clutch and peels
out.
INT TRUNK
She's banged around. Things stop. Silence!
WHANG! the trunk FLIES OPEN. She's impaled in brilliant light.
ANGLE JOANN
She blinks in the floodlit night.
HER POV
She sees bleachers. HEARS A DISTANT
ROAR...COMING CLOSER.
EXT. TRACK
They are at a track. A race roars. She gets
out.
JOANN
Gilles. What?!!!
GILLES
Shhsh. I only had
money for one.
JOANN
What am I supposed
to do now?
GILLES
Attends-moi, ce ne
sera pas long...
JOANN
What?!
He kisses her.
GILLES
Wait for me. I
won't be long.
He takes her by the hand and leads her into
the infield, to a small bleacher filled with girlfriends and crew.
EXT. MUSTANG
He hops in, belts up, cranks up. turns onto
the track.
The flag comes down. They are off.
ON JOANN
Shocked beyond belief. He mouth hangs open.
She looks around at the other girlfriends,
screaming and yelling for their men. At the crew, jumping up and down, shouting
driving tips and encouragement as the racers come around the turn at 90 miles
and hour and 100 decibels.
After a turn or two, Joann finds herself
screaming for her man.
EXT. THE TRACK - THE RACE - STOCK - NIGHT
Gilles wins. The crowd roars. It surges
toward the cars... She is carried along. She's excited. He's elated. Pretty
girls rush his car. Joann's lost in the crowd.
GILLES
He climbs out. He's hugged and slapped on
the shoulder. He is pummeled and from a blonde or two...kissed. He looks around
then finds...Joann. He moves throught the crowd with a lopsided grinr. He comes
up, about to say something.
Joann rushes forward, kisses him fiercely.
He kisses back. The crowd takes note. Blondes mumble, look at each other.
THE KISS
Goes on... They swirl, dizzy. They fall
back into the car. The horn blares. The crowd cheers.
EXT. DIRT TRACK RACES - MONTAGE
Joann is also drawn to his small-town
notoriety. The outlaw edge of someone who drives dangerously fast. As the
girlfriend of Gilles, she shares this celebrity.
EXT. QUEBEC COUNTRYSIDEN
Rolling hills, brilliant fall leaves, small
towns.
EXT. BERTIEVILLE PROVINCIAL CATHEDRAL
A MUSTANG
Horn blaring, screams into the square.
Gilles gets out, opens the door. Joann's in a bridal gown. Rose comes up.
ROSE
Are you sure?
She struggles out of the car, moves toward
the church. Gilles comes around the car
in an ill-fitting and out-of- style suit. Joanne looks at him. He looks small
and lost.
JOANN
I don't know.
He smiles, nervously hands her a bouquet.
Aside to Rose:
JOANN
But I need a father
for Jacques.
She pats her stomach. They walk up the
stairs toward small crowd of relatives in their baptismal best. Gilles follows
looking proud and overwhelmed.
INT. CATHEDRAL
Cold light shafts on the martyrs. It's
intimidating.
CHRISTIAN
How do you feel?
GILLES
Terrified
CHRISTIAN
Don't worry, it's
just that it's a new concept for you.
GILLES
What?
CHRISTIAN
Responsibility.
GILLES
I don't know what
to do?
CHRISTIAN
When he asks, just
say "I do."
GILLES
No, not about that.
CHRISTIAN
Yeah, that's the
easy part.
GILLES
I know to race, but
I don't know how to get a job.
CHRISTIAN
Don't worry, It'll
come to you. She'll see to that.
He looks over at Joann. She smiles
nervously, along with her whole family. She hides her baby bulge with her coat.
GILLES
How can I be
responsible for a family?
His father steps
up.
JEAN
Simple. You have no
choice. You're Catholic, she's Catholic. That's all she wrote.
His wife favors him
with a glare.
JEAN
Get a girl
pregnant, you marry her, that's the law.
MOTHER
Look! How beautiful
she is!
FATHER
Yeah. You coulda
done worse.
He takes Joann's hand.
CLOSE ON - HER HAND
EXT. CATHEDRAL - DAY
Her hand. It still tightly clings to his
but now it's in the Mustang. The crowd outside the church cheers, throws rice.
INT. MUSTANG
She turns to him.
JOANN
What now?
GILLES
Just hang on.
He roars away, showering the crowd with
pebbles.
EXT. OUTSIDE BERTHIERVILLE - QUIET ROAD,
MOMENTS LATER.
No longer quiet. A Mustang streaming tin
cans, ROARS by.
INT. MUSTANG - GILLES AND JOANN
JOANN
So, how long you
think we'll stay married.
HIS POV - JOANN
She fights fiercely with her bridal veil,
sits, wide-eyed and defiant, trying not to let it get sucked out the window by
the hundred mile an hour blast...
ON GILLES
GILLES
Maybe...forever!
She smiles and seems to relax for the first
time.
JOANN
So, what's your
hurry?
GILLES
No hurry.
JOANN
Then, maybe this
one time, you could slow down.
GILLES
What do you mean?
She sees he hasn't a clue. This is just the
way he is.
JOANN
Nothing. Never
mind.
EXT. COUNTRY ROADS
The MUSTANG roars off to the honeymoon at
105 miles an hour.
SPEED - A WHITE HURRICANE
A loud blatting roar. A blizzard of snow
blasts the face.
EXT. QUEBEC - WINTER DAY - SKIMOBILE RACING
- NORTH AMERICAN CHAMPIONSHIP
Sideways sliding on ice. Crystals smash
into his face, obscuring vision. Roostertails of snow whip in his wake.
GILLES
He leans into a powerslide, comes up too
fast, clips a slower machine and departs into flight, spinning onto the ice at
ninety miles an hour, whirling through the pack.
SCATTERING SNOWMOBILES
swerve to avoid him.
GILLES - ACROBATIC
He tucks to spin from the roaring track,
extends to slow his spin. Digging, looking, planning, thinking at 90 miles an
hour. He skitters across ice, smashes into a hay bale,
GILLES POV -THE SKY ABOVE
Swirling snow...dark figures...A
face...Joann.
GILLES
looks up... smiles.
JOANN
Her
face is a mask of horror.
INT GILLES' TRAILER - LATER THAT NIGHT
Gilles wolfs down steak, frites. Joann
looks curious.
JOANN
Gilles...
GILLES
Huh,
JOANN
What were you
thinking of...?
GILLES
Oh, nothing. More
potatoes?
She just stares. He looks up. She's not
satisfied. He shovels in more food.
GILLES
I was thinking how
to control the spin, to miss the machines, how to hit.
JOANN
Weren't you afraid?
GILLES
No time for that. I
just wanted to hit right, so I wouldn't be hurt, so I could race again.
JOANN
That's all?
GILLES
At the end...just
before, when I had done all I could, there was a moment...serene... a release.
Everything was... fantastique!...bonne!
EXT. ALBERTA - A RACE
She leans into his
cockpit, terrified.
JOANN
Gilles, are you
worried?
GILLES
About what?
JOANN
You know. What can
happen.
He looks at her. He really doesn't
understand.
GILLES
Don't worry?
JOANN
What else can I do?
GILLES
Just... wait for
me, I won't be long.
A growing ROAR. She hops out of the way.
They are off.
UNDERNEATH A HOUSE TRAILER - NIGHT
Joann crawls in wet mud, thawing frozen
pipes with a blowtorch.
JOANN
Wait my ass!
A big glop of frozen slush drops on her
face.
JOANN
Maudit!
INT. TRAILER
She enters and quiets two bawling kids,
Jacques and Melanie. Gilles is at the table oblivious. He's holds up a drawing.
GILLES
What do you think!
JOANN
It's cold. We're
out of propane again.
(a beat. He's not really listening.
What's the use!)
What's that?
GILLES
New suspension.
Just designed it. What do you think?
JOANN
Kids are hungry.
Can you sell it for some food?
He looks up, no idea what she's talking
about. He looks at the kids. They are shivering, wrapped in blankets. Joanne,
gets up, walks to the bedroom compartment, slams the door.
GILLES
He's shocked. He's so involved he hasn't
noticed.
INT. BEDROOM
She's on the bed, crying. He enters.
GILLES
I love the kids. Am
I being fair? I thought...They're here with us...what else do they need?
JOANN
You didn't think.
You don't.
GILLES
I'll quit, get a
real job. We should have a home.
JOANN
Thing is...you
don't believe that.
GILLES
Sure...sure I do.
JOANN
What job?
GILLES
I don't
know...maybe... mechanic?
JOANN
And a home where,
back in Berthieville?
GILLES
Yah...sure..
JOANN
What would you do?
GILLES
Whatever it took.
JOANN
You'd be just
another small town failure who used to drive fast.
GILLES
There'd be food.
And heat.
JOANN
No. It won't work.
Gilles nods.
GILLES
There's only one
way to go...
JOANN
Fast.
SNOWMOBILE - FINISH LINE
Gilles crosses first, the crowd roars.
Joann hugs the kids.
JOANN
North American
Champion!!!
Gilles comes up with a trophy, a check.
Joann looks at it.
JOANN
Is that all there
is?
Gilles looks at it...disbelief.
GILLES
You're right,
there's no
money in this.
She's relieved.
GILLES
I've got to get a
Formula Car!
He walks away. She
looks after him.
EXT. QUEBEC - THE
TRAILER
Gilles revs a
racing car engine.
INT. THE TRAILER
Joann and Rose have
coffee.
ROSE
But you hate
racing!
JOANN
It's not so bad.
ROSE
Are you kidding?
Why do you encourage him?
JOANN
I can't stand to
see him miserable.
MANITOBA - GIMLI RACE TRACK
Rain clouds. Gilles and Joann are covered
with oil and dirt. They look at the opposition: giant transporters, mechanics
in outfits, gleaming toolkits. Aloof sponsored drivers look over with pity and
contempt. Joann looks at Gilles covered with grease, a rusty wrench in his
hand.
GILLES
Maudit! We've got
no chance.
Gilles looks up at the darkening
rainclouds.
EXT. TRACK - THE RACE
Torrential downpour, visibility zero, a
non- sponsored car blasts through hesitant competition. Gilles wins.
EXT. THE PITS
A competitor comes up. Gilles is still on
his winning high.
DRIVER
Great race,
Villeneuve! Gilles, how can you drive in this?
GILLES
What do you mean? I
love the rain!
DRIVER
I mean...there's no
traction!
GILLES
Sure there is... a
lot more than with snowmobiles.
The mechanics pack their beautiful tools
and look at this dirtball in awe.
INT. MOTORHOME - MANITOBA - DEAD OF WINTER
Joann looks at a document, aghast.
JOANN
Gilles, what have
you done?
GILLES
I had to.
JOANN
You mortgaged the
motorhome!
GILLES
...uhh yes. To buy
the car!
JOANN
But Gilles, we
don't own the motorhome!
Off Gilles...
MONTAGE
- FORMULA ATLANTIC RACES
Gilles crashes or wins. He crashes and
wins. Conflicting emotions play on Joann's face; terror, excitement, dread,
victory, defeat. She grows to like her celebrity status around the track. She
times his laps and shows off the kids to the crowds.
Gilles loves the kids. They sit in the
cockpits as he works on the cars. Other times, he looks right past them, as he
mentally prepares for a race.
EXT. OLD MONTREAL
Beautiful old Victorian/Edwardian
architecture, narrow streets and coffeehouses.
INT. - A TRENDY OFFICE
From behind a big desk, Gaston Parent is a
Quebecois Damon Runyon. Short with gut and goatee, he's a shrewd judge of
character, an entrepreneur. But now...his jaw's dropped in disbelief.
GASTON
You want what?
GILLES
Twelve thousand
dollars.
GASTON
For what?
GILLES
To enter a race.
GASTON
A race?
GILLES
Formula Atlantic.
GASTON
Is that a horse?
GILLES
I race cars. And
snowmobiles.
GASTON
Is there money in
that?
GILLES
I've won everything
there is in North America.
GASTON
Don't you get money
when you win?
GILLES
This is the biggest
race of my life.
GASTON
Twelve thousand
dollars to enter a race?
GILLES
Yeah.
GASTON
That's an
extremely..bad idea.
GILLES
The formula one
guys will be there. The top drivers in the world. I can beat them.
Parent studies Gilles. His eyes are
tearful. Parent watches.
GILLES
The rest of Gilles' speech is lost in the
ROAR OF ENGINES.
EXT. TROIS RIVIERES - QUEBEC - THE FORMULA
ONE RACE
NIGEL ROEBUCK does a standup for the CBC.
NIGEL
...a street race, a
place to be seen and get noticed as Formula 1 heroes race lesser known North
Atlantic champs.
INT. THE PITS
Gilles looks at the F1 drivers with envy.
Joann's intimidated.
JOANN
Gilles, that's
James Hunt, the world champion, that's Laffite, Rene Arnoux... You sure you're
ready for this?
GILLES
We're broke, I've
got to be.
JOANN
You can't...
He doesn't let her
finish.
GILLES
I've won everything
in Atlantic.
JOANN
These guys are
Formula One.
GILLES
Yeah, this is my
chance.
Suddenly, a driver stands next to him.
Didier Pironi, a handsome European, interrupts.
PIRONI
You're Villeneuve?
I am Pironi.
No reaction. Gilles has heard of Pironi,
but doesn't know what to say. Pironi's smooth, arrogant, charming.
PIRONI
They're talking
about you in Europe.
GILLES
Oh, yeah?
PIRONI
Yeah...Ferrarri...
GILLES
(shrugs)
I've heard nothing.
Pironi glances at Joann. She stiffens.
Pironi walks away. Gilles watches him, then turns to Joann.
JOANN
Don't take chances.
GILLES
What do you mean?
GILLES
You know.
He laughs, kisses her, whispers
GILLES
Wait for me, I
won't be long.
THE PITS - QUALIFYING
A crewman looks up from his stopwatch to
see Gilles shooting through the corner backwards.
CREWMAN
1
Who the hell is
that?
CREWMAN
2
27, the Ford.
Villnova.
INT. COCKPIT
Gilles whips the car around in a cloud of
smoke, keeps right
on going.
INT. THE PITS
The crewman.
CREWMAN
1
What... the hell was
that!?
CREWMAN'S POV - FROM THE PITS
The crewman looks at his watch. His jaw
drops.
CREWMAN
2
I don't know, but
it only cost him a second!
An engineer shakes his head and laughs.
ENGINEER
Look! He spins and
knows exactly what the car is doing. Watch him!
Nigel takes notice and moves forward next
to them, leaning on the pit wall.
ENGINEER
He never loses
sight of where he is.
NIGEL
He's good, huh?
ENGINEER
He's the only
driver I've ever seen who can do that!
EXT. THE RACE - STOCK - GILLES' CAR
In opposite lock, slides the corners, using
every inch, scrapes a wall, tires smoking, sparks flying. Photographers lean
over, trying to focus on the furious contest. Suddenly, a HOWL! They look up.
Gilles in full lock, slides sideways toward them. They scatter, but he catches
it, inches away.
VICTORY LAP
Wildly cheering spectators weep with joy.
One of their own has won, the Fleur de Lis of Quebec on the car. Gilles pulls up
to Gaston who grins proudly.
GILLES
Surprised?
GASTON
Not at all. I'm a great
judge of character. You're a Canadian hero. Now I'm going to sell you like a
can of beans.
IN THE PITS
Gilles walks past Jody Scheckter and Ronnie
Peterson, two of the fastest drivers in the world. They look at him curiously.
He nods and keeps walking. When they aren't looking, he sneaks a glance at his
heroes. A tall Briton, James Hunt, speaks to a CBC crew. His eyes follow
Gilles.
HUNT
I drove a good race.
Not as good as he did. Who is he?
REPORTER
Villeneuve, our
Atlantic champion.
HUNT
He's quite
marvelous.
The Canadians are
surprised.
REPORTER
Is he really that
good?
HUNT
He must be. He beat
me.
Hunt's called to the phone by a mechanic..
MECHANIC
Teddy Mayer,
McLaren team.
Hunt takes the phone, holds his ear against
victory noise.
HUNT
Yes, hello. Fine
Weiner. Yes, Quite! Finished third... yes... say, I've just been beaten by this
chap Villeneuve. Heard of him? No, well. you've got to get hold of him, he's
really magic!
SILVERSTONE - BRITISH G.P. F1 RACE - A
BLUR!
Trees, grass, sky, track, trees, grass sky,
track, treesgrassskytrack. Howl! Trees coming up fast.
INT. COCKPIT
Gilles is in a rapid spin, working like
mad. Downshift. WhaaWhaaaWhaaWhaa. Fifthfourththird secondfirst.
Trees,grass,sky... slows.
He catches it, pops the clutch, swerves
back, rockets away. Upshift WhaaWhaaWhaa. Firstsecondthird forthfifth. Gaining,
into a curve, Rear kicks loose. Opposite lock, rear comes around. He loses it.
A BLUR! Trees, grass, sky, track, trees...
IN THE PITS
The McLaren mechanics are dismissive.
MECHANIC
1
What the hell's he
doing?
MECHANIC
2
Good thing it's
last year's car.
Cognoscenti shake their heads at the antics
of this unknown.
COG
1
Shouldn't be here.
COG 2
Doesn't know what
he's doing.
INT. PRESS AREA
Home of cynicism. Journalists argue.
FRANCO
Way over his head.
Dangerous!
DIETER
He's spun nineteen
times.
They look to Nigel Roebuck, a respected
judge, who stares thoughtfully...
NIGEL
You notice
anything?
DIETER
He's backwards a
lot.
NIGEL
He spins only once
at any corner.
x
Well, that's all
there is.
NIGEL
He's finding his
limits by exceeding them. Intelligent.
DIETER
Yeah, if he lives
through the learning process.
INT. THE PADDOCK
Gilles and Joann sew sponsor patches on his
suit. Journalists and crowds cluster around better known drivers. Villeneuve is
unknown, but ecstatic.
NIGEL
Your first big
race?
GILLES
Yeah.
NIGEL
How's it feel?
He grinns, taps his heart, his gesture for
a thrill.
EXT. THE RACE - STOCK
A roaring, screeching battle.
CU - NIGEL - STAND UP
The race ROARS by in B.G.
NIGEL
Andretti and
Scheckter duel with an unknown number 40 McLaren right up there with the best
in the world. A new driver, Gilles Villeneuve...
EXT. THE TRACK - TRAVELING MONTAGE
Round and round.
NIGEL
(V.O.)
He spins many
times, but qualifies. He tests his limits, taking chances, finding the maximum
speed... for himself, the track, the car.
THE STANDS
The crowd's on it's feet, searching their
programs.
FAN
Who's in the 40
McLaren?
INT. COCKPIT
Gilles looks at his temperature gauge...way
into the red.
GILLES
Engine's going to
blow!
INT. THE PITS
Crew chief on radio.
CREW
CHIEF
Come in. Now!
EXT. PITS
He pulls into the pit. The crew scramble.
Gilles sits in the cockpit, gesturing frantically as the other cars whiz past.
A mechanic pops out, screams in his ear.
MECHANIC
Nothing wrong with
the engine. It's the fucking gauge!
Gilles pops clutch, screams out in a cloud
of smoke, laying rubber, scattering mechanics.
THE RACE
Gilles ROARS UP, rejoins the leaders and
holds with the famous - a triumph in itself.
THE PRESS AREA - THE PHONES - AFTER THE
RACE
In the B.G. drivers do interviews. Gilles
speaks quietly to Nigel. In the F.G. an Italian journalist is on the phone.
LINI
Hello, yes, Franco
Lini at Silverstone. May I speak to Commendatore Ferrari.
CLASSICAL ITALIAN VILLA
Cut stone and red tiles, gracefull arches,
exquisite gardens. Horrible noise.
WIDER SHOT
The villa sits... in - THE MIDDLE OF A TEST
TRACK
Red cars whiz by. Ferrari's. The twelve
cylinder HOWL at 1400 rpm...shakes the olives from the trees.
INT. THE CLASSICALLY AND RICHLY APPOINTED
VILLA
A door opens on a room filled with TVs
monitoring the test track. A functionary, MORTARA, hands a videotape to a
silver-haired figure seated before video screens.
MORTARA
Commendatore...
Without looking up, the figure accepts the
tape.
FERRARI
Grazi.
EXT. MOSPORT RACEWAY - TORONTO
Gilles accepts third place trophy. Parent's
in the crowd, talking to Teddy Mayer, the McLaren manager. Gaston's expression
is grim. Out of the celebration, Gilles is called away. Gilles beams in the
victory rush. Mayer's solemn.
MAYER
Gilles, if some
team makes an offer, don't let us hold you back.
GILLES
I...I don't
understand.
MAYER
I don't intend to
keep your option.
Gilles is stunned. As he walks away, an aide arches a quizzical
eyebrow. Mayer mumbles.
MAYER
Too many broken
cars. He costs too much.
EXT. BERTHIEVILLE - DEAD OF WINTER
GILLES
(V.O.)
Hello, Gaston?
INT. GENERAL STORE
Gilles is on a payphone in the corner.
GILLES
...Any news?
INT. PARENT'S OFFICE - MONTREAL
Parent sits behind his desk.
GASTON
No Gilles. Nothing.
I'm sorry.
(listens for a beat.) Gilles, face
reality. This is a rich man's game.
EXT. YARD
Gilles sits in his car, holding his helmet,
moping. Joann comes out, hands him a Pepsi sits.
GILLES
I have one trade,
racing driver.
JOANN
We'll get by...
GILLES
We're in debt. You
need a more stable future. The kids...
The phone rings. Joann puts her hand on his
arm, then rests her head on her hand...looks up at him, sadly.
The phone keeps ringing...finally, she gets
up and goes inside to it. He can see her through the window answering.
He looks around at the bleak landscape,
bare trees, grey skies, winter approaching...
INT. TRAILER
Joann's puzzled, straining to hear a
faraway voice.
GILLES' POV
She slides open the window, calls to him.
JOANN
Gilles...
GILLES
What?
JOANN
Long distance,
GILLES
Who?
JOANN
I don't know.
Somebody speaking English...with a foreign accent.
GILLES
What...foreign
accent?
A long beat as she listens on the phone.
Then she covers the mouthpiece and hollers out the window....
JOANN
I don't know,
Italian, I think.
ANGLE -CAR
Gilles is out through the window and on the
run.
INT. TRAILER
He bursts in, trips over the kids toys and
stumbles for the table. Gilles grabs the phone.
GILLES
Hello, hello...
He looks at Joann accusingly. The phone
seems to be dead. Then he hears something.
GILLES
Yes..hello? Yes,
this is Gilles Villeneuve, who is it?
OPERATOR
One moment
please...
He cups the phone and is about to say
something to Joann when the caller comes back on.
OPERATOR
Ferrari...is
calling.
Gilles' eyes widen.
MORTARA
Yes, hello, this is
Ennio Mortara. I am speaking on behalf of Mr. Ferrari who has asked me to
contact Gilles Villenueve in Canada.
GILLES
(beyond shock)
That's...me.
Joann's excited, jumping around. He signals
her quiet.
JOANN
What is it? Who is
it?
GILLES
Someone says he is
calling for Ferrari. Must be a joke. How would Ferrari know how to find me?
(Then into the phone.) Yes...well, what is
the message?
MORTARA
The message is in
the form of a question.
GILLES
(impatient)
And...what is the
question?
Gilles cups the phone again. He shrugs at
the riddle. He's about to whisper the news when the caller shocks him silent.
MORTARA
...Would you be
interesting in driving for Ferrari?
Hold on Gilles
incredulous face.
END, ACT 1.
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